| Candidate (anonymised) | "E. Carter" · Head of Drama · Riverside Grammar (Vic regional) |
|---|---|
| Submission date | Oct 2025 |
| Production in Capstone | Annie (MTI School Edition) · Year 7-9 cast · school of 480 students · 220-seat venue |
| Final grade | DISTINCTION · 11/12 criteria at Distinction, 1 at Credit |
Carter's risk register identified 16 hazards (vs the 12 minimum). The standout treatment was the trap-door reveal in Act 1:
| Description | Cast member (Annie, Yr-8) emerges through a manually-operated trap-door on a 600mm rise during reprise. Trap requires below-stage crew (× 2) to lift on cue. |
|---|---|
| Uncontrolled L × C | 4 × 4 = 16 (high) — fall hazard for cast + crush hazard for below-stage crew |
| Controls applied | (1) Substitute: removed the manual trap reveal entirely; replaced with a lighting transition. Hazard eliminated. (2) If reinstated for 2026: full SWMS · below-stage crew × 2 minimum · 4-step verbal countdown · brake mechanism · LED warning to cast. |
| Residual L × C | 0 (eliminated) |
| Rationale | Audience would not notice the difference between trap reveal and lighting transition (verified by post-show parent survey, last year). Effect-eliminated route preserves the emotional beat with zero residual risk. Director initially resisted; the alternative was workshopped at rehearsal week 5 and approved. |
Carter's bump-in matrix included a labour-cost forecast aligned with the P&L (Distinction criterion). Sample row:
| Activity | Crew | Hrs | Forecast cost | Actual cost |
|---|---|---|---|---|
| LX focus + first plot (Acts 1-3) | LX tech (paid) × 1 + crew × 2 (school) | 2.25 | A$ 326 | A$ 326 |
| Sound RF coordination + monitor setup | SND tech (paid) × 1 + crew × 1 (school) | 2.25 | A$ 259 | A$ 259 |
| Backstage props table layout | SM (school) + cast × 4 (rehearsing) | 1.5 | A$ 0 (in-house) | A$ 0 |
| Block sub-total | A$ 585 | A$ 585 | ||
Carter's SM was 16. The contract included an explicit clause covering the Yr-12 SM resigning hypothetical from Module 6:
If the SM is unable to continue in the role (illness, family circumstance, school discipline) at any point between bump-in (Day 1) and final performance:
Decision: Annie will NOT be streamed.
Rationale: MTI Australasia confirmed in writing (15 Aug 2025) that Annie School Edition is not licensed for live or recorded streaming on any platform — public or private. Archival recording for cast-family viewing is permitted under "personal/educational use" exemption. The school's position is therefore: (a) one archival recording of Saturday evening performance, encrypted, distributed via private Vimeo link with expiry, only to cast families who returned the image-release form with streaming-channel marked YES; (b) absolutely no live streaming; (c) public release of any clip requires MTI's written consent on a per-clip basis (none expected).
Communicated to parents in: Comms #2 (week-7) and reiterated in Comms #5 (week-2). FAQ document attached to school's production page.
Records retained: MTI confirmation email · school's archival distribution log · per-family Vimeo access record.
| Line | Forecast | Actual | Variance reason |
|---|---|---|---|
| Total costs | A$ 22,400 | A$ 21,860 | Set materials underspent by A$ 540 (donated timber from a parent's building site) |
| Total income | A$ 22,200 | A$ 23,815 | Sold out × 3 performances (estimated 75%, actual 88% average) |
| Net | (A$ 200) | A$ 1,955 surplus | Banked toward 2026 production |
"The framework that surprised me most was the accountability matrix from Module 3. I'd run two previous productions believing 'good communication' was the answer to most coordination problems. The matrix forced me to acknowledge that good communication is what you do WHEN the structure has decided who decides — not a replacement for it. The first time my director bypassed the PM-to-contractor channel mid-production, I had the matrix on my office wall and the conversation took 6 minutes instead of 30. That alone justified the course."
"The contractor BS-line I'd be most ready to challenge in 2026 is the 'compliance documentation' fixed-fee that appears on every LX hire quote. Until this course, I assumed it was a regulatory thing. Now I know it's their cost of doing business + I'm paying for it twice. The line is going to be the first one I question on every quote next year."
"The single change I'd make to how I run productions now: I'd run the post-mortem. I never did. Last year's production had 6 things wrong with it that I'd fixed by week 5 of 2025's planning — but only because I happened to remember. With a 1-page post-mortem document in the production folder, future-me wouldn't need to remember; future-me would just open the document."
The one Credit (not Distinction) criterion was Stakeholder Communications. The parent comms calendar was complete and specific, but the crisis-comms "what-if" was sketched rather than drafted — Carter wrote "would handle case-by-case" rather than providing a draft message template. Distinction would have required at least one fully drafted crisis-comms email for a postponement scenario.
Lesson: if you can draft it, draft it. If you write "would handle case-by-case" anywhere in your Capstone, replace that section with the actual handling.